Making Of

By Jeff Mottle

The Making of NYC Super Highrise

The Making of the NYC Super Highrise - by Christopher Malheiros
 



Hi all,

Thanks for this oportunity and i hope you’ll enjoy this different approach on architectural visualization.

Just a small introduction on this «making of»


This was an idea I had for a while and I made some tests before. It's is a critic about the evolution of architecture, the fact that it's becoming commercial and all about image (in a way it's good for us visualizers!). The fact that everything is becoming corporate and the world is entering in this era of economical unbalance. The whole scene is partially inspired by futuristic movies like Blade Runner and the 5th element . I always enjoyed the futuristic themes and how architecture could adapt to this situations!

(Editor's note: Check out the 2004 CGarchitect interview with Eric Hanson about his work on the 5th Element).

Now about the process. There is a small detail that is quite important to mention. There is no 3d in this, it's just a matte painting and it all started with this photo:



This was a photo I found on Internet (sorry but I couldn't find the link for this making of!)

The first step was to sketch some lines, finding the correct perspective lines and trying to define where the towers would be.



Then I tried to find a good texture to apply on the buildings. I liked this one, the dark steal and strong structural beams were features that I had in mind.



Here I'm skipping some boring steps of matching the buildings with the photo, it’s almost like 3d camera matching. And here's the result:



Now a bit of balance to try to match the towers with the photo and to insert them into the overall picture.



The bridges where something I thought about when I was at this stage. I liked them so they stayed.



Now adding some detail, helicopters, logos and contrasting the white parts in the ground.



The construction of the image is done, now I'll add some balances: desaturate the image, contrast, curves and levels.



The final stage: adding some color balance, a bit more contrast and some sharpening. The image was also cropped on the right side to center on the buildings.




Thanks for following,
Cheers!







 

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Simple and effective tutorial. wouldnt like to look over the edge of those buildings!
I don't know what I missed; but, good find Jeff. It's nice to see how to quickly produce a vignette with minimal steps.
Guys enough! I don't post these articles so you can't act like 3 year olds. You can have a professional discussion about the work without resorting to your bickering. If this continues, I'll delete all these comments and your accounts.
Wait. Guys. Wasn't this a how-to post about Photoshop?
Let's stop all the trash talking at this point! There's nothing to fight about, we're all adult in a professional community here.
Jeff, thank you for the tips: you should have participated in "NY city vision" competition with this!
I love this image too. As unrealistic as it is, it's provoking, as the comments have demonstrated. Just to clarify though this image was done by Christopher Malheiros (link at the top of the article). I just asked him to make it for the site.
Something about this project reminds me of the 1929 images of Zeppelins Docking at the Empire State Building when they were trying to rationalize the addition of the tower on top. http://www.nytimes.com/2010/09/26/realestate/26scapes.html Or perhaps more like Rem Koolhaas' 1972 Thesis about the city. http://bouncingballball.blogspot.com/2010/04/unwall-posted-by-boiteaoutils.html
Horrible idea/design but interesting image!
Said it before and I will say it again. Photoshop is the best rendering engine!
Ihab, even though I agree it is not possible to dissociate the project of architecture and its image, from a strictly technical point of view you are wrong: try to look at the production of modernism or at the way Zumthor presents his own projects and you will (almost) never find that what predominates is the necessity to "render" the project. It is all about floor plans, sections, axonometric projections and sketchy views. In that sense, Jeff is completely right. Jeff, thank you for the tips: you should have participated in "NY city vision" competition with this! cheers

About this article

Christopher Malheiros shows us a quick breakdown of his NYC Super Highrise matte painting.

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About the author

Jeff Mottle

Founder at CGarchitect

placeCalgary, CA