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jhune esta

over 12 years

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speechless... :)

Mahendra Mistry

over 13 years

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great WOrk Dear... great lighting .... @ Aleka.. very well said

Dmitry Golikov

over 13 years

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[FONT=Tahoma]hi, awesome renders and especially thanks for Making Of. interesting when u have a small window u can use HDRI for environment or it does not make sense?[/FONT] [FONT=Calibri][SIZE=3] [/SIZE][/FONT]

Peter Jansson

over 13 years

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Wicked effort on creating a tutorial man, enormous cudos!

over 13 years

great work

over 13 years

Thanks guys! I finnally finished the Making of Making of FAUP « metrocubicodigital. Completed the modellling and post production (video) part that was missing. Hope you enjoy it.

Athanasios Karampitsakos

over 13 years

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Nice Jacinto.

Rahat Amin Chowdhury

over 13 years

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Really really nice works.......excellent DOF manipulation........totally a calm and quiet environment......a perfect place to gather knowledge..........:D

Alejandro Aguilera

over 13 years

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Just Amazing! This kind of work shows the need of an artist behind the cold settings on the render engine. No matter how the technology improves and make it easy. No software can give you the sensibility that a wonderfull image required. Bravo!!!!

Peter Jansson

over 13 years

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Stunning work. Beautiful. It seems indeed like a great place to read and I am jealous of you having studied there!

Alex Ayuso

over 13 years

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Great renders! Like the simplicity, I think you did achieve that and the lighting is great, as you mentioned. Well done on getting second place, well deserved!

jayt thor

over 13 years

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Excellent work my friend,superb renders!

Metro Cúbico Digital

over 13 years

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It was rendered with IM/LC. You can read a bit more about that in the Making Of at www.metrocubicoblog.com Glad you liked it.

Bruce Hart

over 13 years

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Beautiful work. What did you render with - IM/LC, BF/LC?

Metro Cúbico Digital

over 13 years

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Two more: [img]http://www.gamereplays.org/community/uploads/post-3379-1307056167.jpg[/img] [img]http://www.gamereplays.org/community/uploads/post-3379-1307056085.jpg[/img]

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Metro Cúbico Digital

About this image

MetroCúbicoDigital - http://www.metrocubicodigital.com
MetroCúbicoDigital

Personal Work for Evermotion Competition
3D Studio Max 2011, Photoshop CS5, After Effects CS5

Hello,

Here´s my final entry for the Evermotion Competition 2011 - interior category.
Im very proud to win the second price in the first digital art competition I enter.
Many thanks to all the support during the process. As a token of my gratitude I created a which you can read in my new site-blog at

My inspiration object is the university (FAUP) where I studied architecture for six years. For a long time I wanted to represent the path that goes from the street till the end of the building complex which is the library itself. For timing reasons I couldn’t model everything of course, so I focused on a short part of that same path.

Inspired by Michelangelo, Siza created a “difficult” path that goes through several ramps/stairs, sometimes almost labyrinth routes – if you use other alternatives – , in order to reach, in the end of all the complex, the library – the place of knowledge. “Tired”… once the library is reached, an uniform interior light hits the space like in no other place. It is, in my opinion, the perfect place to read mostly because the shadow is so soft. Geometry, fine details and remarkable human scale rule.

The goal was to respect Álvaro Siza architecture simplicity, materials, light, design and obviously, make it photo-realistic.

Software:
3D Studio Max 2011, Photoshop CS5, After Effects CS5

Plugins:
Vray 2.0, RailClone Pro, Magic Bullet Looks, Knoll Ligh Factory, Nik Software

All models made by me, except main books bought in TurboSquid - made by Bernardb Bernoir.
Other architectural books are a share found in Evermotion - free stuff - made by Archithekthura.
Hand drawings made by me.

Some of the textures used are from:
Cgtextures, Arroway textures, Cgsource, Viz People

Sorry for the huge post lol.

Thkx in advance,

Jacinto Monteiro

3.45 k

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