Bartosz Domiczek: Likes - CGarchitect - Architectural Visualization - Exposure, Inspiration & Jobs

Article

This article is first and foremost addressed to architecture firms, property developers or whatever types of clients we work with on a daily basis (hence why I'm hoping to get it published on architecture media).

As in my previous article, the idea is to tackle common misconceptions that undermine the quality of the work we do as collaborators, in order to foster better communication and, down the line, better deliverables. I'd love to get your opinion and experience insight on the topic.

10 misconceptions on how to work with an archviz studio

Simon OudietteNovember 09, 2020

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In this article I will outline 10 common misconceptions that I fell for early in my career and still encounter when I do consulting work with young studios and freelancers. Double check you're not victim of these pitfalls!

10 misconceptions on how to work with your clients

Simon OudietteJune 09, 2020

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Insomniacs Waltz

Beauty and The Bit .June 10, 2020

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What lessons from painting and other forms of illusionary imaging can we translate to new tools for our newest mode of visual communication—3D rendering?

On Building An Importance Engine

Ernest Burden IIIMay 14, 2020

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A Mute Icon: Responding to the brief of providing a commercial office building in a very formal context, the project aims to construct an authentic dichotomic image: one that can be confused for a strange civic building, too mute to be publicly engaged, but yet too eccentrically unusual to be privately used. Governing the construction of this image is the problem of mass. A simple volume cladded in a dark tinted glass curtain wall is cut diagonally into a crystalline shape, therefore creating a more idiosyncratic silhouette. A horizontally subtracted balcony slices the mass horizontally across the two main facades, and affords the medical offices with more visibility and a direct relationship with the exterior. Adjacent to the main entry at the corner, a small park sets the whole composition back from the street, adding the necessary distance to experience and engage the building from the sidewalk.

Despite its significant corner presence, the project is decidedly one-sided, hinting to the importance of the civic center in front and to its inherent ambivalence towards context. While the Broadway facade is flat and flash with the street, the one facing Isabelle ports a recursively fuzzy bris-solei system over the glass curtain wall, adding a level of formal indeterminacy and aesthetic clouding to the building mass. This element protects the building from the south-east sun, while creeping up to the roof and doubling as a shading trellis for a much-needed outdoor space in the terrace. At ground level, the vertical shading system engages the small green open space, which houses bike racks, seating benches and native vegetation for public and private use. Scheduled to start construction in 2018, the project consists of a steel structure of 3 stacking levels plus terrace over a concrete podium including two levels of underground parking.

Description Taken from: https://patterns.work/AFH

P-A-T-T-E-R-N-S A4H

Shimahara VisualMay 14, 2020

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Modernist architecture was driven, to a very large extent, by the idea that form should follow function. This had the effect of stripping architecture of its non-functional elements – decorative as well as symbolic.

The stairway to heaven: interpreting symbolic architecture in arch viz

Jeff MottleApril 21, 2019

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http://bartosz-domiczek.com
The personal project in which I attempt to evoke the certain impression of an ageing modernist villa as it appears during a rainy morning. It gets some visitors only in the high season and stays left immaculately dead for the rest of the year. One could feel the coldness of the unused fireplace and hear the creaking boards as he roams around the empty rooms. The air is dense and smells of wet wood.

Wet Wood and the Dreamless Slumber

Bartosz DomiczekMarch 12, 2019

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http://bartosz-domiczek.com
The personal project in which I attempt to evoke the certain impression of an ageing modernist villa as it appears during a rainy morning. It gets some visitors only in the high season and stays left immaculately dead for the rest of the year. One could feel the coldness of the unused fireplace and hear the creaking boards as he roams around the empty rooms. The air is dense and smells of wet wood.

Wet Wood and the Dreamless Slumber

Bartosz DomiczekMarch 11, 2019

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http://bartosz-domiczek.com
he design and visualization of the Australian office building.
The intended feeling of the scene is about the air that appears scorched and simultaneously starkly filled with blue gum oils. The life is slow but a single cumulonimbus creeps on from behind the horizon. The trees tremble as it approaches, birds soar up and the arid soil seems to sigh as it is to get finally studded with the soothing pattern of dark drops.

Australian Manna

Bartosz DomiczekNovember 19, 2018

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http://bartosz-domiczek.com
The design and visualization of the Australian office building.
The intended feeling of the scene is about the air that appears scorched and simultaneously starkly filled with blue gum oils. The life is slow but a single cumulonimbus creeps on from behind the horizon. The trees tremble as it approaches, birds soar up and the arid soil seems to sigh as it is to get finally studded with the soothing pattern of dark drops.

Australian Manna

Bartosz DomiczekNovember 17, 2018

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http://bartosz-domiczek.com
The design and visualization of the Australian office building.
The intended feeling of the scene is about the air that feels scorched and simultaneously starkly filled with blue gum oils. The life is slow but a single cumulonimbus creeps on from behind the horizon. The trees trembles as it approaches, birds soar up and the soil seems to sigh as it is to get studded with the soothing pattern of dark drops.

Australian Manna

Bartosz DomiczekNovember 16, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
One still frame from a new video being prepared.
3ds max + corona renderer + quixel megascans + marvelous designer

Northern Wisps - cinematic

Bartosz DomiczekJuly 06, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
One still frame from a new video being prepared.
3ds max + corona renderer + quixel megascans + marvelous designer

Northern Wisps - cinematic

Bartosz DomiczekJuly 05, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
This is one image from my entry in Ronen Bekerman's Cabins 3d Challenge. The goal was to visualize the prefab cabin in a location of choice. My design is placed in Icelandic Thórsmörk and I made several different scenes to show various aspects of the place (from quite barren hills to thick woody areas). The cabins themselves are formed as white ephemeral monoliths, contrasting with the organic surrounding and being something between the reminiscence of the ancient dwelling built around the fireplace and the idea of Nordic gods standing in the row on a mountain ridge.
The project is full CGI, including the landscaping in the backgrounds.

Northern Wisps

Bartosz DomiczekMay 11, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
This is one image from my entry in Ronen Bekerman's Cabins 3d Challenge. The goal was to visualize the prefab cabin in a location of choice. My design is placed in Icelandic Thórsmörk and I made several different scenes to show various aspects of the place (from quite barren hills to thick woody areas). The cabins themselves are formed as white ephemeral monoliths, contrasting with the organic surrounding and being something between the reminiscence of the ancient dwelling built around the fireplace and the idea of Nordic gods standing in the row on a mountain ridge.
The project is full CGI, including the landscaping in the backgrounds.

Northern Wisps

Bartosz DomiczekMay 09, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
This is one image from my entry in Ronen Bekerman's Cabins 3d Challenge. The goal was to visualize the prefab cabin in a location of choice. My design is placed in Icelandic Thórsmörk and I made several different scenes to show various aspects of the place (from quite barren hills to thick woody areas). The cabins themselves are formed as white ephemeral monoliths, contrasting with the organic surrounding and being something between the reminiscence of the ancient dwelling built around the fireplace and the idea of Nordic gods standing in the row on a mountain ridge.
The project is full CGI, including the landscaping in the backgrounds.

Northern Wisps

Bartosz DomiczekMay 05, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
This is one image from my entry in Ronen Bekerman's Cabins 3d Challenge. The goal was to visualize the prefab cabin in a location of choice. My design is placed in Icelandic Thórsmörk and I made several different scenes to show various aspects of the place (from quite barren hills to thick woody areas). The cabins themselves are formed as white ephemeral monoliths, contrasting with the organic surrounding and being something between the reminiscence of the ancient dwelling built around the fireplace and the idea of Nordic gods standing in the row on a mountain ridge.
The project is full CGI, including the landscaping in the backgrounds.

Northern Wisps

Bartosz DomiczekMay 03, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
This is one image from my entry in Ronen Bekerman's Cabins 3d Challenge. The goal was to visualize the prefab cabin in a location of choice. My design is placed in Icelandic Thórsmörk and I made several different scenes to show various aspects of the place (from quite barren hills to thick woody areas). The cabins themselves are formed as white ephemeral monoliths, contrasting with the organic surrounding and being something between the reminiscence of the ancient dwelling built around the fireplace and the idea of Nordic gods standing in the row on a mountain ridge.
The project is full CGI, including the landscaping in the backgrounds.

Northern Wisps

Bartosz DomiczekMay 01, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
This is one image from my entry in Ronen Bekerman's Cabins 3d Challenge. The goal was to visualize the prefab cabin in a location of choice. My design is placed in Icelandic Thórsmörk and I made several different scenes to show various aspects of the place (from quite barren hills to thick woody areas). The cabins themselves are formed as white ephemeral monoliths, contrasting with the organic surrounding and being something between the reminiscence of the ancient dwelling built around the fireplace and the idea of Nordic gods standing in the row on a mountain ridge.
The project is full CGI, including the landscaping in the backgrounds.

Northern Wisps

Bartosz DomiczekApril 30, 2018

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Bartosz Domiczek - https://www.behance.net/bartoszdomiczek
The juxtaposition of the Euclidean objects materialized with cast resin and organic forms.

Stoicheia Geometrias

Bartosz DomiczekApril 19, 2018

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