Yury Shurinov: Likes - CGarchitect - Architectural Visualization - Exposure, Inspiration & Jobs

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3d Studio Max, Corona render, Ps

Building

Serena MicaliFebruary 23, 2017

176

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Peter Grandits, Stefan Mandl
Proposal design at TU Vienna

Cultural Center Friedrichshafen

Patricia BagienskiFebruary 23, 2017

424

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B8architect studio - https://www.facebook.com/B8architectstudio/?fref=ts
1000

Kitchen design

B8architect studioFebruary 23, 2017

484

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B8architect studio - https://www.facebook.com/B8architectstudio/?fref=ts
1000

Residential Architecture at night

B8architect studioFebruary 23, 2017

1.19 k

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interior design

cafe

hamid fathiFebruary 23, 2017

221

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CG VIZ STUDIO - http://www.artstation.com/artwork/wB5yY
AN IN-HOUSE PROJECT DONE TO SHOWCASE OUR PRODUCT VISUALIZATION ABILITIES FOR CREATING AND RENDERING BOTH THE CHAIR AND THE INTERIOR COMPLETELY IN CGI. THE WHOLE PRODUCT WAS MODELLED FROM SCRATCH. THE CHAIR IS PLACED IN THE CGI INTERIOR ENVIRONMENT AND RENDERED.

Corvus Madonna Product Visualization

CG VIZFebruary 23, 2017

737

9

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www.cristianandrade.com - https://www.behance.net/cristian_andrade
3D project of interior house by Quico Jorreto Architects.

The Refuge in Zamora - Spain

CRISTIAN ANDRADEFebruary 23, 2017

1.21 k

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Imutlu.com
This image my diploma project.. modern ottoman architecture mosque and center...

Islamic cultural center

Ibrahim MutluFebruary 23, 2017

901

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UAE - http://
Designed & Visualized By: Dr.Fai9al.Kazey

Main Lobby

Faisal KazeyFebruary 23, 2017

331

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Mimar Group - http://www.mimar-group.net
A Marketing materical done for marketing a resort in el ain sokhna in egypt.

AZHA Resort

Mostafa MagdyFebruary 23, 2017

461

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Mimar Group - http://www.mimar-group.net
A marketing material done for azha ain sokhna marketing campaign

AZHA Resort

Mostafa MagdyFebruary 23, 2017

877

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Www.imutlu.com - http://
i hope you like my project...

Islamic cultural center, front of theater

Ibrahim MutluFebruary 24, 2017

528

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Horizon Design Studio
Design Concept

The proposed design is influenced by the Delhi’s vivid history, glorious architectural heritage and its vibrant character. The armed forces rich and glorious past, dating back to millennia are assimilated into design by the proposed robust materials( Dholpur Stone and white exposed concrete) , colossal volume (of space signifying the mammoth size) and the symmetrical design approach of the building( which also not only respects the Luytens Delhi’s planning character but also symbolize the regimental character or discipline of armed forces) .

The proposed design constitutes “Two replicated linear concrete blocks connected by a smaller glass box sitting on a large platform / plinth facing India Gate”. The symmetrical volumes and semi-underground volume are juxtaposed in the vernacular architecture pattern of Delhi influenced by earlier Delhi rulers Mughals, Rajput’s and partially Indo-Saracenic influence.

The symmetrical layout, the singular design approach and the incorporated architecture elements (raised plinth, domes and column) makes it an Iconic building.
The raised Plinth / terrace allows the visitor to walk on all four side of the building at Upper ground level and also on the top floor making the building a intelligent functional space without any rear or front in essence.

Elevation

On the front side of façade there is a large rectangular free standing concrete wall with a large circular Bronze ‘Ashoka Chakra’ embedded into the wall – depicting the continuity of India and her armed forces rich history and also the country’s emblem & flags element.

The front façade is a huge entrance which is recessed into the largest volumetric space of the building. The massive atrium features a generous common public space; the exposed concrete finish facilitates a low maintenance public building also highlighting the robustness.

Atrium / Public Space

The 20000 square meter of lower exhibit space is connected through various ramps and levelled entry externally as well as connected by series of grand staircases cladded with timber internally. These stairs also connects the upper levels thus representing a prominent architectural element of the building.

The auditorium also features a linear landmark dome half of which will be glass to bring natural light into atrium. The glass curtain wall on the norther edge of atrium brings uninterrupted northern/eastern light.
The central atrium with multiple grand stairs connect various levels, with centralised central core and flexible exhibits spaces on either side minimize the long linear corridors resulting in less walking time to cover the same amount of area.

Landscape

The rear public garden and landscaped alameda is meant to host many military specific installations along with the possibility of statues of Military heroes. The existing lush tree dominated peaceful setting at rear and an open amphitheatre will play / host night performances on the raised plinth / terrace as stage and cladded wall to act as screen.

The design approach takes serious consideration into existing surrounding landscape, the proposed building and the India Gate and offers continuous visitor experience and engaging / outreaching to the community in particular.

Structure

Building will be achieved by concrete column as grid and walls cast in-situ. The dome will be metallic frame cladded with stone on western side. Stairs are concrete in-situ cladded with timber.
The proposed building is “Three symmetrical boxes assembled in regimental order on a Larger box semi buried in ground –signifying the innovation of “simplicity, aesthetic, historical, transparency yet mysterious, - and with aim of affirming the harmony between the natural and built, history & future, Men & Machine.

INDIAN NATIONAL WAR MUSEUM International Competiti

horizondesign studioFebruary 24, 2017

309

1

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Horizon Design Studio
Design Concept

The proposed design is influenced by the Delhi’s vivid history, glorious architectural heritage and its vibrant character. The armed forces rich and glorious past, dating back to millennia are assimilated into design by the proposed robust materials( Dholpur Stone and white exposed concrete) , colossal volume (of space signifying the mammoth size) and the symmetrical design approach of the building( which also not only respects the Luytens Delhi’s planning character but also symbolize the regimental character or discipline of armed forces).

The proposed design constitutes “Two replicated linear concrete blocks connected by a smaller glass box sitting on a large platform / plinth facing India Gate”. The symmetrical volumes and semi-underground volume are juxtaposed in the vernacular architecture pattern of Delhi influenced by earlier Delhi rulers Mughals, Rajput’s and partially Indo-Saracenic influence.

The symmetrical layout, the singular design approach and the incorporated architecture elements (raised plinth, domes and column) makes it an Iconic building.

The raised Plinth / terrace allows the visitor to walk on all four side of the building at Upper ground level and also on the top floor making the building a intelligent functional space without any rear or front in essence.

Elevation

On the front side of façade there is a large rectangular free standing concrete wall with a large circular Bronze ‘Ashoka Chakra’ embedded into the wall – depicting the continuity of India and her armed forces rich history and also the country’s emblem & flags element.
The front façade is a huge entrance which is recessed into the largest volumetric space of the building. The massive atrium features a generous common public space; the exposed concrete finish facilitates a low maintenance public building also highlighting the robustness.

Atrium / Public Space

The 20000 square meter of lower exhibit space is connected through various ramps and levelled entry externally as well as connected by series of grand staircases cladded with timber internally. These stairs also connects the upper levels thus representing a prominent architectural element of the building.

The auditorium also features a linear landmark dome half of which will be glass to bring natural light into atrium. The glass curtain wall on the norther edge of atrium brings uninterrupted northern/eastern light.
The central atrium with multiple grand stairs connect various levels, with centralised central core and flexible exhibits spaces on either side minimize the long linear corridors resulting in less walking time to cover the same amount of area.

Landscape

The rear public garden and landscaped alameda is meant to host many military specific installations along with the possibility of statues of Military heroes. The existing lush tree dominated peaceful setting at rear and an open amphitheatre will play / host night performances on the raised plinth / terrace as stage and cladded wall to act as screen.

The design approach takes serious consideration into existing surrounding landscape, the proposed building and the India Gate and offers continuous visitor experience and engaging / outreaching to the community in particular.

Structure

Building will be achieved by concrete column as grid and walls cast in-situ. The dome will be metallic frame cladded with stone on western side. Stairs are concrete in-situ cladded with timber.

The proposed building is “Three symmetrical boxes assembled in regimental order on a Larger box semi buried in ground –signifying the innovation of “simplicity, aesthetic, historical, transparency yet mysterious, - and with aim of affirming the harmony between the natural and built, history & future, Men & Machine.

INDIAN NATIONAL WAR MUSEUM International Competiti

horizondesign studioFebruary 24, 2017

254

1

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MESURA - http://mesura.eu/es/
Project by MESURA

Rehabilitació del Castell de Peratellada

Play-time Architectural ImageryFebruary 24, 2017

2.77 k

14

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MESURA - http://mesura.eu/es/
Project by MESURA

Rehabilitació del Castell de Peratellada

Play-time Architectural ImageryFebruary 24, 2017

1.57 k

10

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Graphex Visualization - http://www.graphex.ch
Cubes in the forest

Cubes in the forest

GraphexFebruary 24, 2017

2.33 k

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Personal Project 2017 Here at Hellnar used to be one of the biggest fishing stations in Snæfellsnes with he oldest documented information about Hellnar being a fishing village dating back to 1560. In the year 1703 194 people were living here plus all the people, who were doing seasonal work at Hellnar.

Black Houses in Hellnar - Iceland

Raman TarasenkaFebruary 24, 2017

1.31 k

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MESURA - http://mesura.eu/es/
Project by MESURA

Rehabilitació del Castell de Peratellada

Play-time Architectural ImageryFebruary 24, 2017

785

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MESURA - http://mesura.eu/es/
Project by MESURA

Rehabilitació del Castell de Peratellada

Play-time Architectural ImageryFebruary 24, 2017

912

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