Mohamed Wageh: Likes - CGarchitect - Architectural Visualization - Exposure, Inspiration & Jobs

Project

“In Betweenness” is a wellness and healthcare design project in Turin, Italy.
The new structure sits atop a hillside overlooking the cityscape, in between two old establishments, renovated and reused as a refuge for artists where one can take the time to be unproductive and to distance oneself from the wave of errands flooding our daily life.

In Betweenness

JPAGAugust 04, 2022

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Australia Geo

Visualization: VZ Visual Studio
Design: VZ Visual Studio

Australia Geo is a modern project, blending minimalist design with natural elements. The building features clean lines and functional forms, with a color palette of natural shades that harmonize beautifully with the surrounding environment.

exterior

VZ Visual StudioNovember 06

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Project

Project: 「PlazArt 」- Shenzhen Luohu Art Museum Architectural Animatio
Architect: XOFFICE未知建筑 & 中国建研院
CG: CATOPTOGRAM STUDIO
The plan continues and expands the existing symbiosis between the art museum and the city square, and constructs an intensive juxtaposition and opposition relationship between the architectural form and the square, where market life and art meet. The design fully considers the connection and differentiation with the surrounding environment, creating a harmonious relationship with the original site. The renovated building respects and retains the form and concept of the original site space, and returns the space to the public to the greatest extent. It is religiously and carefully caring for every Luohu citizen who needs to be embraced.

We don't have too many fancy operations in the lens language, and use a montage perspective to record the story of every person and building, including the environment. In the selection and shaping of different storyboard contents, the vision of human life is constructed as much as possible, and the relationship between people, society, environment and architecture is explained. Let public buildings create more social value in the cold urban environment.

「PlazArt 」- Shenzhen Luohu Art Museum Archviz

LINKNovember 08

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ITALIAN STREET

Maxim KhodyrevOctober 13

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Project

Lost and Found_Competition

Ahmed A.wahabNovember 09

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Software: Blender, Archicad, Sketchup, Photoshop

A QUIET PLACE

Maxim KhodyrevNovember 09

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Project

Software: Blender, Archicad, Sketchup, Photoshop

A QUIET PLACE

Maxim KhodyrevNovember 09

28

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Project

The beautiful, almost 100 acre Freedom Park in Charlotte, North Carolina will soon be able to attract even more curious minds of all ages, with its New Nature Museum.
Ensuring valuable space for exploration, learning and leisure, the Museum will serve as the epicenter for multi-generational learning, sharing a better understanding of the natural world, in order to consider what choices, including sustainable practices, they can implement in their daily lives that support a healthier planet.

Under the leadership of Discovery Place, designs from Liollio Architecture and Hood Design Studio were visualized by Brick for this ambitious project.

Discovery Place | New Nature Museum

Brick VisualNovember 12

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DESIGNED: Pinnacle Desgin
VISUALIZATION: Amir Allam
SOFTWARE: 3DS MAX, V-RAY, PHOTOSHOP.
Behance: https://www.behance.net/gallery/212774987/Alamein-Tower

Alamein Tower

Amir AllamNovember 18

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5

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Bridge design involves planning structures that span obstacles, focusing on strength, aesthetics, and sustainability. Key elements include material selection, load-bearing capacity, and environmental impact, with designs tailored to site-specific needs using types like beam, suspension, or arch bridges.

Bridge Competition

SaltVisionNovember 12

155

2

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Article

Itoosoft released a new series of tutorials showing how to use RailClone and ForestPack to create and to populate parametric balconies on a facade.

How to create parametric balconies in 3ds Max with RailClone

Ricardo EloyNovember 13

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This scene was created as part of a course I just released - Advanced Archviz in UE5

Overcast - UE5

Fábio de CarvalhoNovember 18

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Introducing my latest design: a versatile wooden cabin harmoniously crafted to blend into any forest landscape. Designed with functionality and aesthetics in mind, this cabin serves as a serene retreat, offering a connection to nature like never before. Visualized in 3ds Max and rendered with V-Ray.

LUSH

Amir Mostafa OmarNovember 16

47

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"In Bamboo" was inspired by a Chinese poem describing the ideal relationship between a house and its rural bamboo forest surroundings. The infinite shape of the roof naturally defines two interior yards, providing a rich interior experience between what is inside and what is outside, layers and transparency create an interaction between people and light.

Reference: Archi-Union Architects

In Bamboo

Thais ParraNovember 17

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Project

A gloomy day in the city.

Kinga KawaNovember 13

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Inspired by Italian architect Arturo Vittori's Warka tower, which captures humidity in the air and transforms it into drinking water. The ‘Kitai’, designed by the WaterForAll organisation (a grouping of several multinational companies), is a huge structure made of 1,000 pre-polymerised fabrics that use condensation to filter the water contained in the oceans to produce an inexhaustible source of drinking water.
Its shape, reminiscent of a stadium, is gigantic, and made up of solid ‘solidium’ sails that filter and purify the water.
The ‘workshop’, located 20 km off the coast of Scotland, is where the Kitai are manufactured. A huge scaffold is built around it, to protect the structure from the elements during the various Kitai design processes, including the crucial step of polymerising the Solidium.
The construction is carried out by around thirty drones, which are assigned exclusively to one kitai and will remain so thereafter for the maintenance of the structure.
The kitai are transported to their final location exclusively at night to avoid any problems with water vapour, which could disturb the drones. The low weight of the Kitai allows the drone to glide over the water thanks to the induction properties of solidium.
The arrival of the Kitai is always an event, as when the first model arrived above the clouds of pollution in Mumbai. What's more, the mixture of salt water and pure water on the surface of seas or oceans creates impressive clouds of vapour.
Although the Kitai itself as well as its transport and installation are offered by the organisation. The drones that ensure the Kitai's smooth operation and maintenance are subject to a very expensive rental contract. This marks the first blatant example of the sale of a universal natural resource...

L'arrivée

Romain BrunasNovember 15

42

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Dystopian cinematic scene of a city center with the main office buildings. I have tried to create a feeling of constant anxiety and depression adding a eerie surreal atmosphere. 3Ds max for blocking in the main buildings and post production in photoshop.
Beneath the eternal gray skies, the city of Orbis thrived in its artificial glow. Rain fell relentlessly, not from natural clouds but from the atmospheric regulators installed decades ago. They were meant to "refresh" the air, but now, the rain was a daily occurrence—cold, sterile, and oppressive.

The yellow-slickered child stood in stark contrast to the sleek, glass-dominated architecture of the modern office district. The building ahead, the Nexus Tower, was a paragon of design—its clean, angular lines and luminous interiors symbolized progress. But in Orbis, progress had become synonymous with control.

The Nexus Tower wasn't just an office. It was the nerve center of OrionTech, the megacorporation that governed every aspect of life in Orbis. Through its walls, algorithms dictated citizens' diets, occupations, and even thoughts. The towering structure loomed not as a beacon of hope but as a reminder of the suffocating system that enveloped the world.

Amid the sea of umbrellas and hurried figures, a man in a dark trench coat lingered near a bright yellow sports car, his presence seemingly out of place. He clutched a small device, his hand trembling slightly. The child, drenched yet calm, seemed to be waiting—watching him with a knowing gaze. Pigeons fluttered at their feet, the only living creatures unbound by OrionTech's algorithms.

The ground was etched with faded letters, barely visible beneath the rain: "COME TO..." The rest was eroded, lost to time, a remnant of a forgotten rebellion. It was a message from a bygone era when people still believed in freedom. Now, it served as a silent mockery of the city's residents, who had long since given up.

The man took a deep breath and stepped forward, past the pigeons and the child, toward the Nexus Tower's radiant entrance. His device, a forbidden piece of pre-OrionTech tech, was a relic of a freer time. It carried the power to disrupt the tower's systems, if only for a moment. He didn’t know if it would succeed, but in a city where every choice was made for him, this act of rebellion felt monumental.

The child, still unmoving, whispered into the rain, "Do it for all of us."

As he crossed the threshold into the Nexus Tower, the rain seemed to falter for just a moment, as if the city itself held its breath.

Rain man 2029. City scene

Val BondNovember 15

62

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Image

Dystopian cinematic scene of a city center with the main office buildings. I have tried to create a feeling of constant anxiety and depression adding a eerie surreal atmosphere. 3Ds max for blocking in the main buildings and post production in photoshop.
Beneath the eternal gray skies, the city of Orbis thrived in its artificial glow. Rain fell relentlessly, not from natural clouds but from the atmospheric regulators installed decades ago. They were meant to "refresh" the air, but now, the rain was a daily occurrence—cold, sterile, and oppressive.

The yellow-slickered child stood in stark contrast to the sleek, glass-dominated architecture of the modern office district. The building ahead, the Nexus Tower, was a paragon of design—its clean, angular lines and luminous interiors symbolized progress. But in Orbis, progress had become synonymous with control.

The Nexus Tower wasn't just an office. It was the nerve center of OrionTech, the megacorporation that governed every aspect of life in Orbis. Through its walls, algorithms dictated citizens' diets, occupations, and even thoughts. The towering structure loomed not as a beacon of hope but as a reminder of the suffocating system that enveloped the world.

Amid the sea of umbrellas and hurried figures, a man in a dark trench coat lingered near a bright yellow sports car, his presence seemingly out of place. He clutched a small device, his hand trembling slightly. The child, drenched yet calm, seemed to be waiting—watching him with a knowing gaze. Pigeons fluttered at their feet, the only living creatures unbound by OrionTech's algorithms.

The ground was etched with faded letters, barely visible beneath the rain: "COME TO..." The rest was eroded, lost to time, a remnant of a forgotten rebellion. It was a message from a bygone era when people still believed in freedom. Now, it served as a silent mockery of the city's residents, who had long since given up.

The man took a deep breath and stepped forward, past the pigeons and the child, toward the Nexus Tower's radiant entrance. His device, a forbidden piece of pre-OrionTech tech, was a relic of a freer time. It carried the power to disrupt the tower's systems, if only for a moment. He didn’t know if it would succeed, but in a city where every choice was made for him, this act of rebellion felt monumental.

The child, still unmoving, whispered into the rain, "Do it for all of us."

As he crossed the threshold into the Nexus Tower, the rain seemed to falter for just a moment, as if the city itself held its breath.

Rain man 2029. City scene

Val BondNovember 15

34

2

0

Image

Dystopian cinematic scene of a city center with the main office buildings. I have tried to create a feeling of constant anxiety and depression adding a eerie surreal atmosphere. 3Ds max for blocking in the main buildings and post production in photoshop.
Beneath the eternal gray skies, the city of Orbis thrived in its artificial glow. Rain fell relentlessly, not from natural clouds but from the atmospheric regulators installed decades ago. They were meant to "refresh" the air, but now, the rain was a daily occurrence—cold, sterile, and oppressive.

The yellow-slickered child stood in stark contrast to the sleek, glass-dominated architecture of the modern office district. The building ahead, the Nexus Tower, was a paragon of design—its clean, angular lines and luminous interiors symbolized progress. But in Orbis, progress had become synonymous with control.

The Nexus Tower wasn't just an office. It was the nerve center of OrionTech, the megacorporation that governed every aspect of life in Orbis. Through its walls, algorithms dictated citizens' diets, occupations, and even thoughts. The towering structure loomed not as a beacon of hope but as a reminder of the suffocating system that enveloped the world.

Amid the sea of umbrellas and hurried figures, a man in a dark trench coat lingered near a bright yellow sports car, his presence seemingly out of place. He clutched a small device, his hand trembling slightly. The child, drenched yet calm, seemed to be waiting—watching him with a knowing gaze. Pigeons fluttered at their feet, the only living creatures unbound by OrionTech's algorithms.

The ground was etched with faded letters, barely visible beneath the rain: "COME TO..." The rest was eroded, lost to time, a remnant of a forgotten rebellion. It was a message from a bygone era when people still believed in freedom. Now, it served as a silent mockery of the city's residents, who had long since given up.

The man took a deep breath and stepped forward, past the pigeons and the child, toward the Nexus Tower's radiant entrance. His device, a forbidden piece of pre-OrionTech tech, was a relic of a freer time. It carried the power to disrupt the tower's systems, if only for a moment. He didn’t know if it would succeed, but in a city where every choice was made for him, this act of rebellion felt monumental.

The child, still unmoving, whispered into the rain, "Do it for all of us."

As he crossed the threshold into the Nexus Tower, the rain seemed to falter for just a moment, as if the city itself held its breath.

Rain man 2029. City scene

Val BondNovember 15

37

2

1

Image

Bridge design involves planning structures that span obstacles, focusing on strength, aesthetics, and sustainability. Key elements include material selection, load-bearing capacity, and environmental impact, with designs tailored to site-specific needs using types like beam, suspension, or arch bridges.

Bridge Competition

SaltVisionNovember 12

42

2

0